Ezines poetry: a convenient categorary for the many types of ezine on the web today. Many poetry ezines have excellent articles, bulletin boards and workshops where poems and writing matters are discussed and encouraged. Most accept submission by email, which is an enormous boon for poets submitting from overseas: no more SAEs and International Reply Coupons. In general, publishing your poetry through these channels is no different from submission to the conventional magazine, and your efforts will be more favourable received if the guidelines are followed. A few words of praise won't go amiss, if perceptive and sincere: 'I admire the range of work you publish, and particularly liked so-and-so's poem in the last issue, which seemed to me . . .' etc. Editors are human, and like to feel their efforts are appreciated.
Broadly speaking, ezines come in four flavours: long-established small presses with Internet representation, reputable literary ezines, the 'ezine poetry' started on a whim and not seeing the year out, and popular poetry ezines.
You can find the first group through the magazine resources.
For the second there is no complete listing, though the following will help. You can find more through Internet directories and search engines.
Now the last group. Popular poetry sites are well-patronized, and offer many amateurs their only chance of seeing work 'in print'. Quality varies, but is occasionally good. It would be snobbish to ignore such outlets, but do remember that they are not well thought of by the literary establishment. Never ever mention them amongst your successes if submitting to serious poetry outlets. Poetry.com, in particular, is seen as a vanity press.
Chapbook services are often reasonably-priced, but be wary of 'handsomely produced' anthologies and international poetry conferences.
If you'd like feedback on your work, consider submitting to one or more of these poetry bulletin boards.
Many publishing opportunities come through literary associations and networking. Your local poetry or writing group probably issues a yearly anthology, and you may find yourself on its steering committee. In fact you should take a full part in its activities, including the less pleasant tasks of maintaining the books and chasing up subscriptions. Poems read in local groups may not be critiqued in great depth, but the comments are usually genuine and helpful. The feedback can help you fix problems that ezine poetry editors simply don't have the time to point out.