Literary agents specialize, and though one listed as 'literary agent fiction' looks a good bet for your novel, you need to check credentials and preferencies. Some names appearing under literary agent fiction will handle fiction of all sorts, some only popular fiction, etc.
Literary agents find a good home for your work, charging a commission commonly around 15% of your royalties. He or she opens the door to the larger publishing houses, and brings these advantages:
Well before you get a literary agent — and even if you don't get one at all — you will need what is called a 'proposal'. This is a lengthy document that tells the publisher why it makes commercial sense to bring out your book.
Equally important, it spells out exactly how and why you will be successful should you opt to self-publish your work.
The proposal typically consists of:
2. Next you identify twenty possible agents from the resources below, and send them a query letter. Enclose SAE. The letter has this structure:
3. Agents respond by telephone if interested and by email / letter if not. Do some research on agents who respond favourably, and send them your proposal. If possible, choose the most successful.
4. Sign the Contract. The agent sends a contract, which is generally a simple 2-page document. It's generally wise to check that representation isn't for more than a year, and that you'll not be charged for the service (postage and telephone are usually acceptable, but not the agent's time). The agent looks for a publisher and negotiates your advance. You're through: you just have to write or complete the book.
The above holds for nonfiction, and fiction to some extent. It does not hold for poetry. Unless you're a literary celebrity in some other walk of life, you'll be lucky to find an agent. Agents live off commissions, and poetry books rarely make money.
Novelists, however — though it's still tough — should consult one or more of the following:
Many publishing houses will not consider direct submissions, and use literary agents as a filtering mechanism — understandably when submissions can run to dozens every day. Unfortunately, it's often as difficult to get an agent as it is to find a publisher directly. Many fiction writers try first to get an agent, then turn to submitting directly to publishers, and finally end up self-publishing. Some obvious suggestions: